Meet Beautiful Singles

Do you love New York?

             Or would you hate it, even on a spring day in Central Park?
 
What about your characters? 

We know how important is to describe where your story is taking place: if it could happen anywhere, you miss a huge opportunity to create a meaningful story world for your reader. But have you ever considered the importance of setting to each of your characters? How does each one feel about it? And how does that affect what they do in your story?

Setting can  enrich a character's behavior by causing them to react in ways that move the action forward. In other words, setting can create conflict.  There are two kinds of conflict: Internal and External. 

Internal conflict is what happens inside a character - and it can change the dynamics of any setting.


If your hero loves the beach, she'll be relaxed there. It will be the ideal setting to slow down the pace and let a romance build. Then again, if she hates the beach - whether she refuses to be seen in a swimsuit, or if her brother drowned in the ocean - that first date could be a nightmare before the picnic basket is unpacked. 



Popular "fish out of water" stories use the setting to create inner conflict through contrast. Put a city gal in a country setting for the first time, and the humor will write itself. Send her home to the small town she escaped, and drama will infuse every scene.

External conflict is something that happens right there on the outside when your characters have other business to attend to. The romantic couple at the beach could get rained out, or distracted by a lifeguard rescue, or lose the car keys in the sand.  The gal in the country could experience her first tornado, or a flirty sheriff, or a lack of cell phone signal. Pile some external conflict on a scene already rife with internal conflict and you get a double whammy - a scene so exciting there is no way the reader can resist.

The point is, when we talk about setting, anything can happen - and should.  Where we are and how we feel about it makes a big difference in our lives. Where your characters are and how they feel about it can make a big difference in your story.
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Leslie Lehr is a prizewinning author, essayist, and screenwriter. One of her favorite settings is at book festivals where she gets to discuss her new novel, What A Mother Knows.

You can follow Leslie at www.facebook.com/authorleslielehr
Tw @leslielehr1
or email her at lesliejlehr@gmail.com

By Malena Lott


Confession: I've been in the midst of a word drought since Thanksgiving 2013.  While I had a good run in 2013 publishing Family Charms (women's fiction), Twin Falls (YA) and even a romance novella Sterling & Sloane, only S&S was new fiction. I'd written the other books in prior years and edited and published them in 2013.

I wanted to kick off 2014 with a downpour of new words and a new story, but nada -  no prose precipitation in the slightest.


I knew I needed a plan to make it rain words and get my creative mojo back, but nothing seemed to be helping.


Or was something working and I didn't know it?


It's important to remember as a creative that your stories are always in progress, even if you haven't put the words down on paper. We get our ideas by living, experiencing, interacting with others, watching, listening. What I found was that I had some things to work on before the wellspring of words would flow again.


Finally in the last few weeks, things started coming together. The forecast calls for a new novel. Here's what I did:

1. Work on wellness. Having a lack of energy to write could mean a lack of creative energy, which needs to be fueled by things like adventure, new challenges, good health, positive attitude, clarity and a number of other things. (Here's a great link to a post on 18 things creatives do differently and I identify with all of them.) If your life is feeling dull, get out and explore, connect with nature, make a new friend, work out, eat better, meditate, whatever it takes to fuel your creativity. Take a look at what's going on with you physically and mentally and make the proper adjustments.
   
2. Find a muse. A muse is the source of inspiration for a creative work. When I wrote The Stork Reality, my babies were my inspiration. For Dating da Vinci, it was the original Leonardo da Vinci (who is still my #1 crush). For Family Charms, it was my sisters. For Sterling & Sloane, it was Rock Hudson (specifically his character in Pillow Talk.) Now I've found a real-life muse for my new project and everything has started coming together. Of course the verb “muse” is also highly recommended: deep thoughts and meditation.
   
3. Try something new. One of the reasons I didn't want to write is because I had no story. That sounds tres obvious, but I have to become obsessed with a story to write about it. The compulsion to write must overcome me. Finally, while absently watching the Superbowl this year, a story idea hit me, but it was only a kernel, hardly enough to run with. Yet it remained there waiting patiently for me to do something with it and recently a few other events (and the muse) watered that kernel to where I'm in the correct obsessive-compulsive place to work on it. It's something very different than what I've done before so the challenge is spurring me on.
   
4. Be patient and make the hard choices. If you've read the The War of Art, you know about Resistance. Often our worst enemy to our craft is ourself. Instead of fighting the resistance, step outside of yourself as a third-party witness and see what's going on. Don't judge it. Examine it. What do you fear? Why aren't you going for it? Decide what has to change to make it rain.
   
5. Go for small, more frequent writing stints. The fantasy of being able to write for long stints is really tough for most writers. If you can't write for big stretches, go small and add in more in a day.  I'm starting this new "rain shower"strategy but it will require absolute silence and no interruptions to make it work. Maybe a few thunderstorms will show up along the way.
   

What on this list resonates with you? Share your ideas for pushing past your limits and improving your creative mojo in comments.


Malena Lott is a brand strategist and author of six novels, three novellas and several short stories. She also fuels her creativity with hot coffee, iced coffee, wine, Zumba and yoga. Learn more about her at malenalott.com.