Showing posts with label writing characters. Show all posts
Showing posts with label writing characters. Show all posts

Quirky, Crazy, or Plain Off Their Rockers

1:30 AM Add Comment

Until last month, my husband hadn’t read a book of mine in nearly a decade. But he got a free Android tablet and started reading on his way to work. He asked for a couple of my books, and I uploaded them for him.

After a few days of no reaction, I didn’t think much about it. On night as I was drifting off, he asked me. “Who are these people you write about.? Are they based on anyone we know?”

Waking myself, and turning over, I listened to his thoughts on the characters. He thought a lot of them were just plain nuts.

To say life is boring here at Casa Fox in Los Angeles, would be an understatement. I like a life free of drama. For writing, and reading, however—bring it on.

Why I like to read about quirky or nutty characters is easy to answer. Who doesn’t like to be a voyeur? I love to walk neighborhoods at night imagining what goes on behind the drapes. That curiosity translates to my writing.

I like to explore the lives of fictional people who push boundaries. Whether that push be lawful or not, moral or not, or even pathological or not.

I recently finished a book where the hero is a bit of a womanizer (to put it in the kindest possible way). Before writing his story, I had to think long and hard about why someone would act like that. What motivated him to get up every day and seek out the affection of random women.

It was an interesting journey, and Raphael Augustine the hero of my forthcoming release, Don’t Judge Me took shape.

I also recently completed a book (Under Color of Law) with a juvenile court judge who takes advantage of women who have cases before him. If they want to keep their children out of jail or foster care, they have to take care of Judge Eamon Brody first.

Abuse of power happens all the time, but what makes a man (or woman) take their control to such an extreme? In my world dominated by house repairs, dog walking, and child car pools, delving into the deranged mind of this man was a fascinating way to pass the day.

And in romance, the more difficult the heroine, the better. I like to think of the women in my books as prickly pears. A hero who can get beyond all the crazy hair (Sophie Reid in Unlikely), and off putting behavior (Hannah Keesling of The Good Enough Husband takes the cake) of my heroines, deserves the prize—finding a woman underneath who’s worthy of their love.


That’s the bottom line, I think. Each character, no matter how outsized their behavior, is deserving of our reading and writing time, a little consideration, and often our love.

Location, Location, Location!

5:00 PM Add Comment
Do you love New York?

             Or would you hate it, even on a spring day in Central Park?
 
What about your characters? 

We know how important is to describe where your story is taking place: if it could happen anywhere, you miss a huge opportunity to create a meaningful story world for your reader. But have you ever considered the importance of setting to each of your characters? How does each one feel about it? And how does that affect what they do in your story?

Setting can  enrich a character's behavior by causing them to react in ways that move the action forward. In other words, setting can create conflict.  There are two kinds of conflict: Internal and External. 

Internal conflict is what happens inside a character - and it can change the dynamics of any setting.


If your hero loves the beach, she'll be relaxed there. It will be the ideal setting to slow down the pace and let a romance build. Then again, if she hates the beach - whether she refuses to be seen in a swimsuit, or if her brother drowned in the ocean - that first date could be a nightmare before the picnic basket is unpacked. 



Popular "fish out of water" stories use the setting to create inner conflict through contrast. Put a city gal in a country setting for the first time, and the humor will write itself. Send her home to the small town she escaped, and drama will infuse every scene.

External conflict is something that happens right there on the outside when your characters have other business to attend to. The romantic couple at the beach could get rained out, or distracted by a lifeguard rescue, or lose the car keys in the sand.  The gal in the country could experience her first tornado, or a flirty sheriff, or a lack of cell phone signal. Pile some external conflict on a scene already rife with internal conflict and you get a double whammy - a scene so exciting there is no way the reader can resist.

The point is, when we talk about setting, anything can happen - and should.  Where we are and how we feel about it makes a big difference in our lives. Where your characters are and how they feel about it can make a big difference in your story.
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Leslie Lehr is a prizewinning author, essayist, and screenwriter. One of her favorite settings is at book festivals where she gets to discuss her new novel, What A Mother Knows.

You can follow Leslie at www.facebook.com/authorleslielehr
Tw @leslielehr1
or email her at lesliejlehr@gmail.com